The duo set about redefining the term “cacophony” at their pre-Hallow’s Eve show.
Our 10 favorite moments from weekend two of the Austin City Limits Music Festival.
The show was a challenge of stamina and musicianship, comprising 20 tightly paced songs.
The singer celebrates the 30th anniversary of her breakthrough album Fumbling Towards Ecstasy.
The singer’s L.A. show was an ecstatic celebration of what it feels like to reemerge at one’s freest and freakiest.
The two performers were at turns electrifying and celebratory at their show in Los Angeles.
The allure of a Swift performance has little to do with the traditional qualities that draw people to live shows.
The show was a welcome reminder of what a virtuosic musician and performer Amos has always been.
By the end of the two-and-a-half-hour set, the entire band was rocking in lockstep.
Bright Light Bright Light is a charismatic, magnetic performer, often funny but refreshingly sincere.
Performed live on July 12 at the Classical Revival opera house, his music took on a strikingly anthemic quality.
Watching Dirty Projectors open for the National is both annoying and edifying.
Melody is the connective tissue between Tame Impala and their audience.
White keeps us on our toes, thanks to magician-worthy stage surprises and to the consistent vitality of tunes both new and old.
In a “manifesto” about her latest tour, Madonna insists that the guns and violence that open the show are metaphors.
The show’s trippy backdrop projections were at turns mesmerizing and convenient.
Luke Jenner and company turned in a remarkably assured performance, without any of the out-of-practice awkwardness one might’ve expected.