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Slant Magazine

Charles Lyons-Burt

Charles leads content strategy for a D.C.-area small business. His work has appeared in Spectrum Culture, In Review Online, and Battleship Pretension.

Feeble Little Horse ‘Girl with Fish’ Review: Amorphous Musical Mayhem

by Charles Lyons-Burt
June 3, 2023

The album is an economical calling card and the sound of a band coming into their own.

The National, First Two Pages of Frankenstein

The National First Two Pages of Frankenstein Review: More Richly Layered Melodrama

by Charles Lyons-Burt
April 23, 2023

While the album doesn’t necessarily break new ground for the band, it’s an exemplary display of what they do best.

NLE Choppa Cottonwood 2 Review: An Eclectic Effort That’s a Lot to Digest

by Charles Lyons-Burt
April 18, 2023

The album doesn’t quite justify its runtime, but the rapper has the good sense to try out a series of different stylistic conceits.

Boygenius, The Record

Boygenius ‘The Record’ Review: An Amorphous Statement of Identity

by Charles Lyons-Burt
March 27, 2023

The trio struggles to find a collective identity or creative method that complements their myriad talents.

Fever Ray, Radical Romantics

Fever Ray Radical Romantics Review: A Maverick Artist with Nowhere Left to Go

by Charles Lyons-Burt
March 6, 2023

The album implicitly and explicitly tangles with the question of where an artist as singular as Karin Dreijer can go from here.

U.S. Girls, Bless This Mess

U.S. Girls ‘Bless This Mess’ Review: A Half-Hearted Wink of an Album

by Charles Lyons-Burt
February 20, 2023

The album sign-posts its themes and musical choices but lacks a coherent overall vision.

Kelela, Raven

Kelela ‘Raven’ Review: Kinetic Beats for Dance Floors and Bedrooms

by Charles Lyons-Burt
February 10, 2023

No matter the tempo or setting, the singer’s sophomore effort is fully aware of how the body can both entrap and liberate.

SG Lewis, Audio Lust & Higher Love

SG Lewis AudioLust & HigherLove Review: A Spiritual Quest That Falls Short of an Epiphany

by Charles Lyons-Burt
January 24, 2023

The album feels like an assemblage of enjoyable ingredients that doesn’t coalesce.

Metro Boomin, Heroes & Villains

Metro Boomin Heroes & Villains Review: Boomin’ Beats by Committee

by Charles Lyons-Burt
December 6, 2022

As a concept album about good and evil, Heroes & Villains mostly delivers.

Jockstrap, I Love You Jennifer B

Jockstrap ‘I Love You Jennifer B’ Review: A Confident, Freewheeling Debut

by Charles Lyons-Burt
December 5, 2022

The album is filled with accessible musings on urban life and epiphanies spurred by lovers and considerations of mental health.

Weyes Blood, And in the Darkness Hearts Aglow

Weyes Blood And in the Darkness, Hearts Aglow Review: Finding the Familiar in the Unknown

by Charles Lyons-Burt
November 14, 2022

The album is rooted in our current moment, though it occasionally paints with a broad brush.

Phoenix, Alpha Zulu

Phoenix Alpha Zulu Review: Deceptively Simple, Exceedingly Fluid Pop-Rock

by Charles Lyons-Burt
October 31, 2022

For the most part, the album delivers the kind of deceptively simple, fleet pop for which the band is best known.

Carly Rae Jepsen, The Loneliest Time

Carly Rae Jepsen The Loneliest Time Review: A Delicate Balance of Exuberance and Stoicism

by Charles Lyons-Burt
October 21, 2022

The album is a markedly more stoic effort from a singer who, up until now, has been relentlessly upbeat.

Lil Baby, It's Only Me

Lil Baby It’s Only Me Review: A Hauntingly Diaristic Effort

by Charles Lyons-Burt
October 17, 2022

Lil Baby’s third album plays as if ripped from the rapper’s diary, confronting trust issues and the loss of friends.

Santigold, Spirituals

Santigold Spirituals Review: A Frenetic, Stylistically Eclectic Form of Release

by Charles Lyons-Burt
September 9, 2022

The artist’s least celebratory album to date, Spirituals is nonetheless ornate and often frenetic.

Hot Chip, Freakout/Release

Hot Chip ‘Freakout/Release’ Review: A More Disjointed Than Dynamic Emotional Ride

by Charles Lyons-Burt
August 18, 2022

A potent sense of artistic and existential dissatisfaction permeates the synth-pop band’s eighth album.

YoungBoy Never Broke Again, The Last Slimeto

YoungBoy Never Broke Again The Last Slimeto Review: An Unruly, Exhilarating Opus

by Charles Lyons-Burt
August 10, 2022

In keeping with its title, the prolific Louisiana rapper’s fourth album plays like the end of an era.

Beyonce, Renaissance

Beyoncé Renaissance Review: A Disco-Trap Journey Where Past and Future Collide

by Charles Lyons-Burt
July 29, 2022

On her seventh album, the singer displaces us from both history and the present and situates us in her unique ecosystem.

King Princess, Hold On Baby

King Princess Hold On Baby Review: Pre-Programmed Pop-Rock Transcendence

by Charles Lyons-Burt
July 27, 2022

The album attempts to bridge a number of gaps in a way that can feel bland and devoid of context.

Bad Bunny, Un Verano Sin Ti

Bad Bunny Un Verano Sin Ti Review: An Epic Tribute to Puerto Rican Culture…and Women

by Charles Lyons-Burt
June 23, 2022

The scope of the 80-minute, 23-track album allows the rapper-singer to explore the full breadth of his romantic and sexual proclivities.

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