The midtempo track finds the singer squarely within his old-school wheelhouse.
Sony Music’s newest shining hope is being positioned as the next big pop starlet.
The highlight of the album is “Trust a Try,” one of several collaborations with hip-hop producer, Rockwilder.
In many ways, Travis satisfies a popular need in the absence of the Radiohead of yesteryear.
Who does Radiohead think they are?
At a time when pop music doesn’t leave much for adults and electronica all but neglects the older demo, along comes Mandalay.
Like Up, Reveal is drizzled with electronica-lite, only this time the effects are less abstract.
Much of the band’s distinct sound has been watered down by Glen Ballard’s lush over-production.
For the most part, Miss E is less R&B-oriented than it is dance-rooted.
Half of the soundtrack’s material comes directly from the film and features its stars Nicole Kidman and Ewan McGregor.
To hell with making the career move from actress to pop singer or vice versa.
Weezer’s fillerless third album doesn’t leave much to complain about.
While the album isn’t groundbreaking, it at least shows the new trio breaking out on their own.
Despite seven different producers, the album sounds surprisingly cohesive and consistent.
To the Teeth, like most of her studio albums, is best taken as part of a whole.
What you see is exactly what you get with R. Kelly’s fourth effort, TP-2.com.
Martin’s second English-language album can be divided into two relatively equal parts: the English part and the good part.
Sade can wait as long as she likes between albums and there will always be an audience waiting.
The biggest of hardcore fans will of course need to own this album, because they believed in his potential.
The album brims with a revolutionary undercurrent.
Listening to Production gives one a more complete sense of Madonna’s talent for recruiting the next big thing.