Pathologic 3’s great achievement is its reexamination of the series from a new perspective.
The game is an optimistic, transcendental vision of a mythical America from a distant admirer.
Shadows is a near-perfect blend of focused missions and leisurely exploration.
The new era of WWE is now in full swing in digital form, but some things never change.
The game is a major achievement, but its story-heavy campaign puts a damper on things.
The game’s narrative doesn’t support the 10 hours that it takes to complete.
Split Fiction is, against the odds, a smile-inducing charmer.
The disorientation that Everhood 2 seeks to bring about is more or less the point here.
Civilization VII too often feels like a game that’s engaging in spite of itself.
Like a Dragon takes its chaotic act to the high seas in a delightfully silly spin-off.
Lost Records: Bloom & Rage is a bold assertion of trust in the audience.
The game settles for something contained yet distilled, and it’s more potent as a result.
The political elements of Jump Over the Age’s sequel leave us with plenty to chew on.
As was the case in Crypt of the NecroDancer, rhythm infuses every action here.
The Stone of Madness is cleverly attuned to perseverance through incremental progress.
The game crafts a dense, multilayered, and vibrant adventure set against memorable settings.
Origins boasts endlessly addictive gameplay across its campaign, but it falls short narratively.
The game finds Indy returning to terrain well trod by Lara Croft and Nathan Drake.
There’s never been more room in the medium for creativity to get up and stretch its legs.
Antonblast winningly riffs on the platformers of yore.
S.T.A.L.K.E.R. 2’s allegiance to hardship for the sake of hardship comes off as antagonistic.