As the adage goes, a picture is worth a thousand words.
Dr. Fetus’ Mean Meat Machine is more than a puzzle-branded reskin of Super Meat Boy.
The choices you make attest to the belief that logic and empathy aren’t mutually exclusive.
Killer Frequency is a delightfully gimmicky game with an outrageous horror-comedy premise.
The game isn’t the action-oriented experience that TRON fans may be expecting.
The only place where the protagonists, and by extension the game, stand out is in combat.
It’s at such a remove from anything human that we see no consequences to your actions.
In the end, Have a Nice Death can’t escape its own premise.
Octopath Traveler II is a great game to get lost in eight times over.
No matter the game’s faults, the music sings for itself.
Good luck finding redeeming value in Wanted: Dead.
Emptiness resonates troublingly at the heart of Casus Ludi’s hand-drawn co-op adventure game.
SEASON is a poetic, meditative game, but it often bluntly calls attention to its intentions.
A Space for the Unbound triumphs in capturing what’s between the lines of its central story.
Marvel’s Midnight Suns is more than just a Marvel-themed reskin of Firaxis’s XCOM series.
The Knight Witch is a whip-smart, beautifully hand-drawn bullet-hell Metroidvania.
Gotham Knights isn’t as mechanically interesting or satisfying as the Arkham series.
Sparks of Hope is more colorful, more fluid, and just all-around more fun than its predecessor.
For a beginner guitarist, Rocksmith+ is a godsend.
Xenoblade Chronicles 3 just cannot get out of its own way.