Visually speaking, The 10th Victim is, at bottom, a Pop Art melting pot.
Beneath all the japery, there are some serious matters that are being sent up.
Weiss’s film is a haunting fable about arrogance and infidelity.
The Outcasts brings rural Irish folkways and folk tales to vivid and entrancing life.
The film effectively hammers the last nail in the counterculture’s coffin.
The film examines hefty sociopolitical issues through the lens of familiar genre tropes.
Russ Meyer was a veritable one-man band.
The film still resonates with its themes of political corruption and abuse of power.
The extras new and old provide much-needed context for this outré anthology film.
The Coens’ bleak and beautiful adaptation of Cormac McCarthy’s novel gets a gorgeous transfer.
Addiction here springs from self-absorption, which is the common denominator of all evil.
The four films collected here chronicle a seismic shift in cult filmmaker Ed Wood’s oeuvre.
The set is a fabulist bestiary replete with witches, werewolves, and all manner of vengeful spirits.
Criterion’s new UHD release of Godzilla gives the big lizard a welcome 4K makeover.
True to the set’s title, most of the films take inspiration from classics of the ghost story genre.
If this volume sends you back to Hooper’s films, it’s more than accomplished its job.
Torso is a top-shelf giallo that also clearly paved the way for the rise of the slasher film.
Viva la Muerte embodies the surrealist desire to meld the real and the dreamlike.
This fever dream of a heist film features a ferocious turn from country music icon Johnny Cash.
The film strikes a delicate balance between funny and truly creepy.