Over the past decade, MacKinnon has become an expert at staging the work of, arguably, our greatest living dramatist.
The preternaturally talented Hunter practically defies credulity on stage.
Wary as he may be about our chat turning too personal, his answers reveal more than he’s planned.
Ashley has survived many ups and down, both personal and professional, in a career that’s spanned more than half a century.
Sachs spoke with us recently about the genesis of Love Is Strange and his feelings about love and New York City.
Akhtar is attuned to the issues facing an immigrant generation caught between 21st-century mores and the conservative traditions of their faith.
The Boston-born Sean Gullette is currently based in Tangiers, his wife’s hometown, and he clearly has empathy for his adopted city.
Audiences are likely to be drawn to Ice Poison because it’s the rare feature film from Myanmar.
The English actor, who’s married to playwright Lolita Chakrabarti, talked to us about bringing Aldridge’s story, their labor of love, to the stage.
The playwright discusses his interest in carnal activities in the context of world history.
We spoke to the actor and director about their long-term friendship, and about the two plays at the Cort Theatre.
Stole has a devoted cult following that dates back to the 1970s, when she became an outrageously wacky fixture in the trash comedies of John Waters.
Radcliffe revealed himself to be charming and polite as he talked seriously about his work on Kill Your Darlings.
Rithy Panh’s personal story is always the most compelling and visually arresting.
Having built up the tension to a breaking point, Giraudie doesn’t let down the audience.
Jim Broadbent and Lindsay Duncan are an ideal fit for Hanif Kureishi’s bitterly funny, yet surprisingly tender script.
In keeping with its subject, the movie has a rough-hewn quality.
For the theatergoer, the Shaw Festival offers the increasingly rare opportunity of seeing a large repertory acting company at work.
The U.S.-made movies in the festival, perhaps unsurprisingly, reflect the content and range of styles typical of contemporary small-budget American filmmaking.
Ziad Doueiri discusses his latest film and the controversy that it’s recently sparked in the Middle East.