The midtempo track finds the singer squarely within his old-school wheelhouse.
In a recent column, Andrea Peyser likened Madonna’s recent adoption of an African AIDS orphan to taking home a souvenir.
Yes, for real.
Avenged Sevenfold for Best New Artist? As Eric told me halfway through the show: I think we’re getting too old for this.
Written, edited, and directed by the proprietor of this blog, Matt Zoller Seitz, the ensemble romantic drama Home is now available on DVD by way of Vanguard Cinema.
The film does its potential detractors a great service by wearing its plot right out on its sleeve.
In honor of what would have been Billy Wilder’s 100th birthday, NYC’s Film Forum is currently hosting a retrospective titled “Essential Wilder.”
The movie is visionary bubblegum, unabashedly in love with its source material.
It goes without saying that if you’re a newcomer to Deadwood, every article appearing during Deadweek will contain spoilers galore.
An informal memorial for Jennifer Dawson will be held this Thursday, May 4, at 2 p.m.
Hi, this is Alan Sepinwall, posting in Matt’s place for reasons you’ll understand in a minute.
Former New York Press editor Alexander Zaitchik wrote a compelling feature for Spiked about the death of beloved movie star Rajkumar.
If you’re in the area, stop in and check it out, or at least look me up so we can talk movies.
The results may surprise you.
Ice Age 2: The Meltdown offers one comic-epic splendor after another.
You needn’t have watched every Best Picture winner to vote.
Alex Karpovsky’s debut feature will screen at the Harvard Film Archive on March 31.
Wim Wenders, it seems, really, really, really loved The New World.
In the immortal words of pioneering film theorist Vachel Lindsay, this is fucking awesome.
I never knew Scott, so my sadness is a viewer’s sadness, purely selfish.
Consensus is not fixed. Shout loud enough and long enough, and you can change it.