Birney discusses where he sees connective tissue between cinema and video games.
Friedland and Chalfant discuss aesthetics adding empathy to the recreation of dementia.
Jarvis discusses the at once tender and menacing shape he gave to his role in the film.
To celebrate the album’s 30th anniversary, we’ve ranked every track of the singer’s sophomore effort.
This season’s biggest surprise and delight is poised to make a clean sweep.
Anderson and Cera discuss why they reject the film being classified as “deadpan.”
The series has morphed from a “social experiment” into TV’s most complex competition.
Mission: Impossible is the perfect embodiment of Tom Cruise’s illegible reputation.
Skinner and Baram discuss coming out, sex on campus, and their show’s bratty soundtrack.
Jia discusses why he thinks the shifting nature of society has also shifted our conception of time.
Potrykus discusses ’90s nostalgia, his favor-based production method, and more.
Saxon discusses what he sees as the relationship between technology and nature.
As we approach a year of Brat, we took a look back at Charli XCX’s discography.
Kulumbegashvili discusses why she wants to sabotage expectations every time she makes a film.
Ahn talks about what he hopes audiences will take away from his spin on the material.
Cronenberg discusses the pull of A.I., taking to the dead, and the optimism of the film’s ending.
Garland and Mendoza adhering to a Dogme 95-esque code of purity while making the film.
Williams discusses working with Sarah Snook and adapting Oscar Wilde’s legendary novel.
Gomes discusses the film’s “ping-ponging” dialectic, interpretations of the film, and more.
The French filmmaker discusses how he formalized a Freudian gaze for the film.
Lesage discusses the struggles faced by more than just youth across his films.