Birney discusses where he sees connective tissue between cinema and video games.
Abbas Kiarostami is exhausted, and understandably so.
At age 63, McDowell is one of the few living links to a host of great British actors who are now gone.
At one time, Phil Hall navigated between the worlds of public relations and film criticism, two professions that could not be more dissimilar.
Rosenbaum continues to write long-form pieces during a time when most professional critics are increasingly marginalized.
In the new issue of Shock Cinema, House contributor Jeremiah Kipp interviews unconventional leading man Ron Perlman.
How does one follow-up an Oscar-nominated documentary about sexual abuse perpetrated by members of the Catholic Church?
In person, Oliver Stone turns out to be a lot like you’d expect from watching his movies.
If you wish to revolutionize your life, hop on the back of a motorcycle and hit the road.
There are no floral patterns here. Pallett’s music contains ideas—and they’re worth paying attention to.
I dare you to tell Rahzel Brown that beatboxing is a thing of the past.
Stewart Stern is best known for writing the screenplay to the seminal American classic, Rebel Without a Cause.
Chaw rages against the Hollywood machine’s depictions of class, gender and race, puncturing political correctness.
Carrière is very much his own auteur, suavely playful and elegantly subversive.
Slant spoke with Zahedi about the dual challenges of serving his subject and his audience.
The Devil and Daniel Johnston hopes that Johnston and his mythic realities are never lost.
This installment focuses on nonfiction film, the hazards of independent distribution, and Cheshire’s own filmmaking debut, a documentary titled Moving Midway.
Cheshire was open to discussing how the changing times broadened his interests in film and filmmaking.
Writer-director James Bai’s Puzzlehead which shows this week at the Two Boots Pioneer Theater, proves that ingenuity is currency.
It’s a shame not to be able to hear such a strong critic week in and week out.
“I think it’s very easy for us to look down on James Whale from our 21st-century perches.”