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Slant Magazine

Barry Walsh

Outside of writing and editing, Barry Walsh also an active singer-songwriter and musician, with three full-length albums and two EPs to his credit. He resides in Toronto.

U2, How To Dismantle An Atomic Bomb

Review: U2, How To Dismantle An Atomic Bomb

by Barry Walsh
November 21, 2005

Atomic Bomb finds U2 in the unique position of being one of the only rock acts capable of making the universal seem achingly personal.

Jeff Buckley, Grace

Review: Jeff Buckley, ‘Grace’

by Barry Walsh
August 3, 2005

Grace is possibly the most sensuous album to have emerged in the aftermath of grunge.

The White Stripes, Get Behind Me Satan

Review: The White Stripes, Get Behind Me Satan

by Barry Walsh
June 11, 2005

While Get Behind Me Satan may be standing on the shoulders of Elephant, it doesn’t stand in its shadow.

Blondie, The Curse Of Blondie

Review: Blondie, The Curse of Blondie

by Barry Walsh
April 28, 2005

Does anyone have Mike Chapman’s phone number?

Mercury Rev, The Secret Migration

Review: Mercury Rev, The Secret Migration

by Barry Walsh
March 25, 2005

Sadly, with The Secret Migration, the revelators seem to have left the technicolor visions back at home somewhere in the Catskills.

The Von Bondies, Pawn Shoppe Heart

Review: The Von Bondies, Pawn Shoppe Heart

by Barry Walsh
February 26, 2005

Pawn Shoppe Heart loudly and proudly buries the snide snipes of naysayers under a walloping mound of chunky garage-rock.

Talking Heads, Remain In Light

Review: Talking Heads, Remain in Light

by Barry Walsh
November 6, 2004

David Byrne and company truly had their fingers on the metronomic pulse of modern culture.

Matthew Sweet, Girlfriend

Review: Matthew Sweet, Girlfriend

by Barry Walsh
September 3, 2004

Every song here carries the besotted lyrical weight of unrequited love.

David Bowie, The Rise & Fall Of Ziggy Stardust

Review: David Bowie, The Rise & Fall Of Ziggy Stardust

by Barry Walsh
September 3, 2004

Bowie was always partial to the pomp side of pop, and Ziggy Stardust carries all the drama of a Shakespearean play.

Joni Mitchell, Court and Spark

Review: Joni Mitchell, Court and Spark

by Barry Walsh
September 3, 2004

The album is an essential, timeless artifact of an era when pop could be both popular and personal.

The Cure, Kiss Me Kiss Me Kiss Me

Review: The Cure, ‘Kiss Me Kiss Me Kiss Me’

by Barry Walsh
September 3, 2004

With Kiss Me Kiss Me Kiss Me, the Cure gives the listener the kind of roller-coaster rush that only great pop can provide.

Eternal Life: A Jeff Buckley Retrospective

Eternal Life: A Jeff Buckley Retrospective

by Sal Cinquemani Barry Walsh
July 30, 2004

To celebrate the re-release of Grace, we’ve decided to root through the self-proclaimed chanteuse’s catalogue and spotlight some of his key releases.

The Cure, The Cure

Review: The Cure, ‘The Cure’

by Barry Walsh
July 20, 2004

Without the odd bursts of light that Robert Smith is more than capable of, The Cure remains cloaked in shadow.

Loretta Lynn, Van Lear Rose

Review: Loretta Lynn, Van Lear Rose

by Barry Walsh
May 25, 2004

That’s right, it’s Lynn’s album, so we’ll try to keep the Jack White fawning to a minimum.

The Beach Boys, Pet Sounds

Review: The Beach Boys, Pet Sounds

by Barry Walsh
April 19, 2004

For all the band knew, these tunes could’ve been beamed into Brian’s brain from another planet.

Fleetwood Mac, Rumours

Review: Fleetwood Mac, Rumours

by Barry Walsh
April 19, 2004

Perhaps one recording experience like Rumours, as sweet as the end result was, is all we should wish upon anyone.

Interview: Don Blum on the Von Bondies’s Pawn Shoppe Heart

Interview: Don Blum on the Von Bondies’s Pawn Shoppe Heart

by Barry Walsh
March 25, 2004

If the rapturous radio response to the album’s first single “C’mon, C’mon” is any indication, bulging bags of cash may be in the cards.

The Darkness (Toronto, ON – January 12, 2004)

The Darkness (Toronto, ON – January 12, 2004)

by Barry Walsh
January 12, 2004

Automatically their appropriation of all that we hold dear about ’80s rock gives them a better shot at the suburbs than the flouncy ditties of the aforementioned bands.

David Bowie, Reality

Review: David Bowie, Reality

by Barry Walsh
December 22, 2003

Who better to make an album about fortune and hardship than David Bowie?

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