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Carson Lund

Carson Lund's debut feature as a DP and producer is Ham on Rye. He also writes for the Harvard Film Archive and is the frontman of L.A.-based chamber pop duo Mines Falls.

About Endlessness

Review: Roy Andersson’s About Endlessness Unearths the Sublime in the Prosaic

by Carson Lund
April 28, 2021

Throughout his latest feature, Andersson offers a sustained autocritique of his own authorial control.

Francisca

Love and Rationality in 19th-Century Portugal: Manoel de Oliveira’s Francisca

by Carson Lund
April 22, 2021

Love stories don’t come much more loveless than they do in the culminating film in de Oliveira’s Tetralogy of Frustrated Love.

Slalom

Review: Slalom Is a Nuanced Look at the Dynamics of an Abusive Relationship

by Carson Lund
April 5, 2021

The film’s real subject is a young woman awakening to her oppression, rendered poignant in all its awkwardness by Noée Abita.

Through the Eyes of a Child: The Films of Independent Pioneer Morris Engel

Through the Eyes of a Child: The Films of Independent Pioneer Morris Engel

by Carson Lund
March 19, 2021

Engel’s overarching subject is the child within, an innocence he repeatedly links to both photography and movies.

Social Hygiene

Social Hygiene Review: Denis Côté Drolly Unpacks Male Privilege Across Time

by Carson Lund
March 4, 2021

Compellingly and surprisingly, the film doesn’t propose an entirely celebratory view of our accountability-seeking present.

The Girl and the Spider

Review: ‘The Girl and the Spider’ Is Undone by Its Lack of Dramatic Scaffolding

by Carson Lund
March 2, 2021

The film trickles out its story world in discrete blocks of sound and image.

Review: Just Don’t Think I’ll Scream Is a Haunting Cine-Window into a Man’s Soul

by Carson Lund
January 25, 2021

Frank Beauvais’s found-footage memoir is of piercing honesty and haunting relevance.

The Eiger Sanction

Review: Clint Eastwood’s The Eiger Sanction on Kino Lorber Blu-ray

by Carson Lund
December 2, 2020

This Blu-ray invites us to reassess an undervalued oddball from the height of Eastwood’s stardom.

The Two Sights

Review: The Two Sights Hypnotically Ruminates on Corporeality and Oblivion

by Carson Lund
November 18, 2020

With his first solo feature, Joshua Bonnetta is again contemplating death and the traces it leaves behind.

The Shepherd of the Hills

Review: Henry Hathaway’s The Shepherd of the Hills on Kino Blu-ray

by Carson Lund
November 4, 2020

The film is a generous ode to a rural community and a touching intergenerational drama lavished with pictorial beauty.

The Truffle Hunters

Review: ‘The Truffle Hunters’ Warmly Regards a Disappearing Way of Life

by Carson Lund
September 17, 2020

The film’s reminder of the fragility of agrarian traditions in the face of a merciless profit motive is delivered with tact and subtlety.

The Nest

Review: The Nest Is a Morality Tale Caught Between Black Comedy and Horror

by Carson Lund
September 15, 2020

Sean Durkin’s sweated-over filmmaking tediously lifts a familiar tale of domestic dysfunction to the level of myth.

Isabella

Review: With ‘Isabella,’ Matías Piñeiro’s Artistry Slides Further into Abstraction

by Carson Lund
September 10, 2020

Matías Piñeiro’s latest unfolds at times like a Hollis Frampton-esque image association game.

All I Desire

The Taste of Tragedy: Douglas Sirk’s All I Desire and There’s Always Tomorrow

by Carson Lund
August 15, 2020

Beyond their plot parallels, both films are further united by the grounding presence of Barbara Stanwyck.

Bloody Nose, Empty Pockets

Review: Bloody Nose, Empty Pockets Is an Elegiac Mosaic of Disillusionment

by Carson Lund
July 7, 2020

It’s in certain characters’ trajectories that the Ross brothers locate the tragic soul of the bar.

Spring Night, Summer Night

Review: Joseph L. Anderson’s Spring Night, Summer Night on Flicker Alley Blu-ray

by Carson Lund
May 31, 2020

Flicker Alley’s disc offers everything one could want out of a home video release.

Fourteen

Review: Fourteen is a Fine-Grained Contemplation of Friendship

by Carson Lund
May 11, 2020

It recognizes that even the sturdiest of friendships are inevitably tested by time and the evolution of personal responsibility.

A White, White Day

Review: ‘A White, White Day Is a Brooding but Banal Revenge Yarn

by Carson Lund
April 14, 2020

Hlynur Pálmason’s sophomore feature tackles the subject of masculinity in crisis.

Old Joy

Blu-ray Review: Kelly Reichardt’s Old Joy on the Criterion Collection

by Nick Schager Carson Lund
March 10, 2020

A zen-like study of aging and male friendship, Reichardt’s sophomore feature remains one of her best.

Heimat Is a Space in Time

Review: Heimat Is a Space in Time Balances the Personal and the Historical

by Carson Lund
March 10, 2020

Thomas Heise’s documentary seeks to excavate real human thought and feeling beneath the haze of larger political structures.

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