To celebrate the reason Jackson mattered, and still matters, we’ve compiled a list of our 10 favorite singles.
Thomas Hardiman’s film is ultimately unwilling to give into supreme superficiality.
The film represents all of cinema’s possibilities in 106 minutes.
Almost 70 years after its initial release, The Night of the Hunter still resonates.
The film is a still-relevant portrait of America’s schizophrenic relationship with gun violence.
The sense that they don’t make mass entertainments like this anymore is palpable.
The most famous of all Ingmar Bergman’s films receives a spotless 4K presentation.
The late Joan Micklin Silver’s star continues to rise thanks to Criterion.
The film is a tranquil nocturne compared to the scherzo standards of German expressionism.
And so we come to the conclusion of our annual month-long existential cosplay.
Really, who are we kidding?
Who’s your new zaddy crush?
With this category, we realize that precedent is increasingly illusory.
We’re having a lot of déjà vu this year.
Second verse, same as the first.
Babylon is progressively feeling like a “circle the wagons” moment for a Hollywood.
What does it say that the last five rounds have been won by latex-assisted actorly transformations into real-life notables?
Every year the Oscar race blessedly gives us a few free spaces.
Two indisputable trends come to a head in this year’s Oscar race for production design.
Only one short here gets to have its My Octopus Teacher cake and eat it too.