In terms of demographics, Dario Argento is clearly intended as a text for both newcomers and knowledgeable fans alike.
Greven’s analysis is fluid and detailed, while excavating exhilarating thematic linkages between all filmmakers.
Throughout, Morgan depends on readers to maintain pace with his seemingly ad hoc critical mode.
Autobiographical acts, as Eric Ames calls them, are inseparable from the films proper.
Barry Forshaw has made a career out of studying the dames, pistols, machismo, and glistening city streets that define crime fiction.