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Cannes 2025 Lineup: Richard Linklater, Ari Aster, Kelly Reichardt, and More in Competition

Unsurprisingly, Mission: Impossible – The Final Reckoning will screen out of competition.

Cannes 2025 Lineup
Photo: Neon

The guessing game around which films could make the lineup for the 78th edition of the Cannes Film Festival, which runs from May 13—24, came to an end this morning at a press conference in Paris by Cannes delegate general Thierry Frémaux and president Iris Knobloch. If you tapped the latest works by Ari Aster (Eddington), Kelly Reichardt (The Mastermind), Richard Linklater (Nouvelle Vague), Wes anderson (The Phoenician Scheme), and the Dardenne brothers (Young Mothers) to make the cut, then you were correct.

Neon, which is on a five-year winning streak of Palme d’Or winners, two of which went on to win best picture at the Oscars (Bong Joon-ho’s Parasite and Sean Baker’s Anora), will try to make it a sixth with, for now, either of the two films it already has in its stable: Joachim Trier’s Sentimental Value and Julie Ducournau’s Alpha. (Today it was also announced that MUBI acquired Trier’s film for the U.K., Ireland, Latin America, Turkey, and India.)

Absent from the lineup are the latest films by Spike Lee, Lynn Ramsay, and Park Chan-wook. Otherwise, there were less surprises than usual, from the exclusion of Terrence Malick’s The Way of the Wind, which continues to linger in editing limbo, to the appearance of Mission: Impossible – The Final Reckoning, Tom Cruise’s likely last outing as Ethan Hunt, out of competition. But this also looks to be one of the more invigorating ones in ages.

See below for a complete list of this year’s Competition, Un Certain Regard, Out of Competition, Special and Midnight, and Cannes Premiere titles.

Competition
Alpha, Julie Ducournau
Dossier 137, Dominik Moll
The Eagles of the Republic, Tarik Saleh
Eddington, Ari Aster
Fuori, Mario Martone
The History of Sound, Oliver Hermanus
La Petite Derniere, Hafsia Herzi
The Mastermind, Kelly Reichardt
Nouvelle Vague, Richard Linklater
The Phoenician Scheme, Wes Anderson
Renoir, Chie Hayakawa
Romeria, Carla Simone
The Secret Agent, Kleber Mendonça Filho
Sentimental Value, Joachim Trier
A Simple Accident, Jafar Panahi
Sirat, Oliver Laxe
Sound of Falling, Mascha Schilinksi
Two Prosecutors, Sergei Loznitsa
Young Mothers, Jean-Pierre and Luc Dardenne

Un Certain Regard
Aisha Can’t Fly Away, Morad Mostafa
Eleanor the Great, Scarlett Johansson
Heads or Tails?, Alessio Rigo de Righi, Matteo Zoppis
Homebound, Neeraj Ghaywan
Karavan, Zuzana Kirchnerová
L’inconnu de la Grande Arche, Stéphane Demoustier
The Last One for the Road, Francesco Sossai
Meteors, Hubert Charuel
My Father’s Shadow, Akinola Davies Jr
The Mysterious Gaze of the Flamingo, Diego Céspedes
Once Upon A Time In Gaza, Tarzan Nasser and Arab Nasser
A Pale View of the Hills, Kei Ishikawa
Pillion, Harry Lighton
The Plague, Charlie Polinger
Promised Sky, Erige Sehiri
Urchin, Harris Dickinson

Out of Competition
Colours of Time, Cedric Klapisch
Mission: Impossible – The Final Reckoning, Christopher McQuarrie
Partir un jour, Amélie Bonnin (Opening Film)
The Richest Woman in the World, Thierry Klifa
Vie Privée, Rebecca Zlotowski

Special Screenings
Bono: Stories of Surrender, Andrew Dominik
The Magnificent Life of Marcel Pagnol, Sylvain Chomet
Tell Her I Love Her, Romane Bohringer

Midnight Screenings
Dalloway, Yann Gozlan
Exit 8, Kawamura Genki
Songs of the Neon Night, Juno Mak

Cannes Premiere
Amrum, Fatih Akin
Connemara, Alex Lutz
The Disappearance of Josef Mengele, Kirill Serebrennikov
Orwell: 2+2 =5, Raoul Peck
Splitsville, Michael Angelo Covino
The Wave, Sebastián Lelio

Ed Gonzalez

Ed Gonzalez is the co-founder of Slant Magazine. A member of the New York Film Critics Circle, his writing has appeared in The Village Voice, The Los Angeles Times, and other publications.

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