The film starkly reveals the toll propaganda takes on everyday individuals and communities.
The film is more than a reflection on barriers and bridges in the age of screen omnipresence.
The scrappiness that animates Sweeney as an actor finds natural expression through Martin.
James Vanderbilt’s film is in direct conversation with the moment in which it was made.
Jude discusses why cinema being in a state of constant crisis exhilarates him.
Hedda is more of a fun exercise in inventive adaptation than a fully-realized work.
The film is a fevered look at a man on the run from his crimes and himself.
This is an overtly political film that’s hesitant to express its own political views.
These films shocked us by plumbing our deepest primordial terrors.
The documentary is specific and urgent in both its purpose and execution.
The mundane and transcendent dance hand in hand in this French animated feature.
An air of predictability settles over Josh Boone’s dramedy in its very first scene.
Zhao’s take on Shakespeare’s family life telegraphs its themes loudly and incessantly.
The film is sensitively attuned to how people’s feelings are shaped by cultural norms.
Chris Stuckmann’s feature directorial debut arrives packing some major clout.
The film is Ramsay’s most sprawling and sensational canvas to date.
O’Connor discusses how he came to understand America by immersing himself in an era.
Reichardt discusses the political climate of an era, collaborating with Josh O’Connor, and more.
The Choral sets out to mix comedy with tragedy, but it’s an unsuccessful brew.
Panahi discusses the meaning of “accident” and how nothing can stop him from making movies.
The film surveys an era’s unprecedented upheavals with an ambivalent eye.