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Steve Erickson

Steve Erickson lives in New York and writes regularly for Gay City News, Cinefile, and Nashville Scene. He also produces music under the name callinamagician.

Carly Rae Jepsen, The Loveliest Time

Carly Rae Jepsen The Loveliest Time Review: The Other Side of Loneliness

by Steve Erickson
July 28, 2023

This joyful, vibrant album serves as a sonic and thematic counterpoint to The Loneliest Time.

Georgia, It's Euphoric

Georgia ‘It’s Euphoric’ Review: Dance-Pop Without the Rush

by Steve Erickson
July 24, 2023

Though it features some rousing dance-pop, the album never quite rises to the promise of its title.

Glaive, I Care So Much That I Don't Care at All

Glaive ‘I Care So Much That I Don’t Care at All’ Review: Uncomfortably Grim

by Steve Erickson
July 12, 2023

The singer’s debut album is bound to make listeners feel a sense of unpleasant voyeurism.

Militarie Gun, Life Under the Gun

Militarie Gun ‘Life Under the Gun’ Review: Hardcore Anger Management

by Steve Erickson
June 19, 2023

The album is rooted in anger, but the more melodic passages express it without becoming trapped by it.

Killer Mike, Michael

Killer Mike Michael Review: A Combative Yet Reverent Nod to the Past

by Steve Erickson
June 14, 2023

The album emphasizes the rapper’s Atlanta heritage by harkening back to both his past and Southern rap.

King Krule, Space Heavy

King Krule Space Heavy Review: Harnessing Emotional Power Through Musical Restraint

by Steve Erickson
June 2, 2023

The music is notably grimmer than the lyrics, but even its lyrical themes return again and again to the subject of isolation.

Kassa Overall, Animals

Kassa Overall Animals Review: An Engaging Dialogue Between Disparate Modes

by Steve Erickson
May 20, 2023

The rapper and drummer’s music is a modern, often jarring synthesis of hip-hop and jazz.

RP Boo, Legacy Volume 2

RP Boo ‘Legacy Volume 2’ Review: Taking Pleasure in Chaos

by Steve Erickson
May 8, 2023

The Chicago producer turns Footwork’s influences and spins them into something that sounds like a totally new language.

Feist, Multitudes

Feist Multitudes Review: An Intimate but Ultimately One-Dimensional Album

by Steve Erickson
April 14, 2023

Despite Feist’s talents as a musician, her latest fades too easily into the background.

Jesus Piece, So Unknown

Jesus Piece …So Unknown Review: Embracing Metalcore’s Chaotic Fury

by Steve Erickson
April 10, 2023

The album feels more defined by genre than the band’s past work, but the anger running through it is contagious.

Debby Friday, Good Luck

Debby Friday Good Luck Review: Bringing the Mosh Pit to the Dance Floor

by Steve Erickson
March 20, 2023

The experimental musician’s debut album testifies to the liberating potential of making a racket.

Slowthai, Ugly

Slowthai Ugly Review: A Genre-Mashing Walk on the Not-So-Pretty Side

by Steve Erickson
March 5, 2023

The British rapper embraces a caffeinated punk sound that suggests a cross between Cockney Rejects and Dizzee Rascal.

Miss Grit, Follow the Cyborg

Miss Grit Follow the Cyborg Review: A Reflection on a Life in Perpetual Performance Mode

by Steve Erickson
February 19, 2023

While the album fits neatly into the indie-pop landscape, its songs don’t rely on repeated hooks, unfurling organically.

Orbital, Optical Delusion

Orbital Optical Delusion Review: A Grim, Pre-Apocalyptic Rave

by Steve Erickson
February 13, 2023

The electronic duo’s 10th album feels more like a document of the times than a sci-fi fantasy.

Meg Baird, Furling

Meg Baird ‘Furling’ Review: A Heady Collage of Folk, Roots, and Mood Music

by Steve Erickson
January 23, 2023

The album blends English folk, American roots music, and shades of trip-hop in ways that are both heady and nebulous.

White Reaper, Asking for a Ride

White Reaper Asking for a Ride Review: A Spirited Step Toward the Mainstream

by Steve Erickson
January 23, 2023

The garage-punk band skillfully strikes a balance between exuberance and introspection.

Margo Price, Strays

Margo Price Strays Review: Conventional Roots Rock with a Forward-Minded Flair

by Steve Erickson
January 9, 2023

The album continues in a classic rock-inspired direction, breaking from the neo-traditional country music that put the singer on the map.

Raw Poetic, Space Beyond the Solar System

Raw Poetic Space Beyond the Solar System Review: An Expansive Universe of Excess

by Steve Erickson
December 5, 2022

The album suggests a lost ’70s Afrofuturist sci-fi movie score as composed by Alice Coltrane.

Brockhampton, The Family

Brockhampton The Family Review: An Odd Duck of a Swan Song

by Steve Erickson
November 17, 2022

The album sounds more like the product of a therapy session than a collection of songs intended for the public.

Bruce Springsteen, Only the Strong Survive

Bruce Springsteen Only the Strong Survive Review: A Tribute That Lacks Grit

by Steve Erickson
November 12, 2022

The album is expertly crafted, but a rougher hewn approach would have better honored its source material.

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