The album traces a personal narrative about growing weary of casual sex and embracing love, all in the span of just half an hour.
The songs click almost immediately, but they’re subtler and pricklier than a first listen would imply.
The album engages in a dialogue with the past, whether it’s Sim’s youth or the last half century of music and cinema.
The album examines the rewards and pains of an on-again, off-again relationship.
On her sophomore effort, the rapper goes completely mask-off, directing her anger at other rappers and former friends.
The album engages with rock’s history while simultaneously taking it in imaginative new directions.
The indie-pop group’s sophomore effort doubles down on their copy-and-paste approach, but this time with mixed results.
Porcupine Tree’s 11th studio album implies a summary of a body of work running back 35 years.
The U.K.-based rapper-singer’s debut album homes in on his Nigerian roots, combining American R&B with African rhythms.
Belle and Sebastian’s 10th album strikes a balance between the band’s familiar sound and proving they still have something to say.
Billed as a “live documentary experience,” the film has the feel of a PowerPoint presentation.
The filmmakers discuss with us the making of The Forbidden Room, its Russian-doll structure, and future projects.
With Project Nim, James Marsh has created a documentary that feels more like a biopic—and one that avoids the genre’s usual pitfalls.