The series suffers from lackluster fight scenes and thin characterization.
The film is full of little moments that speak clearly to the particularities of father-son bonds.
What the show’s storytelling lacks in sophistication it makes up for with sincerity.
This is an unrelentingly funny movie that happens to be about the after-effects of sexual assault.
Geeta Gandbhir’s film is a trenchant indictment of laws that facilitate white vigilantism.
The sharply written series delivers a near-perfect balance of bitter and sweet.
A crime thriller and a sci-fi mystery that harbors ambitions of being a political drama.
Sasha Rainbow’s film loses all momentum once the face-swapping kicks into motion.
The show’s second season provides familiar pleasures and devious new twists.
The India on display in Santosh is fascinatingly shot through with contradictions.
Morrison’s feature directorial debut is marked by a vivid emotional authenticity.
The series puts a clever twist on the thriller genre but its political commentary feels jumbled.
Paddington in Peru offers an idea of Britishness that’s multifaceted and modern.
The film’s attempts to tell two stories at once ultimately see it damned by its own ambition.
Its pantomime villains aside, this is a film about men who are doing their best to serve God.
The film is most interesting when observing the subtler power dynamics at play within frats.
The answers the series doles out are a lot less interesting than the questions.
The miniseries boasts the same relentless energy as Gael García Bernal’s eponymous boxer.
It quickly becomes clear that Greg Jardin’s film isn’t just here to dazzle us with visual trickery.
The particulars of time travel in the film give the whole thing a tactile quality.