The film starkly reveals the toll propaganda takes on everyday individuals and communities.
Boonbunchachoke’s defense of historical memory couldn’t be more timely.
The film pays profound tribute to the perseverance of its subjects.
Birney discusses where he sees connective tissue between cinema and video games.
Greenland 2 plays out as a much more generic thriller than its predecessor.
Diaz discusses what he draws from other art forms as inspiration for his cinematic artistry.
The film at once wrings its premise for whimsical absurdism and slow-burn suspense.
The film is a subtle variation on the Dardennes’ deceptively simple brand of neorealism.
We Bury the Dead uses the walking dead to ruminate on loss and closure.
This Anaconda takes only the lightest of jabs at the Hollywood machine.
The first trailer for Nolan’s adaptation of Homer’s epic Greek poem is here.
Polinger, Blunck, and Martin discuss the film’s chilling depiction of childhood bullying.
Fastvold discusses how she sees the film in relation to the history of the U.S. at large.
O’Leary discusses what he learned from working alongside Safdie and Timothée Chalamet.
The filmmakers discuss what keeps them going in their mission of holding power to account.
The film’s twist is a doozy, but it falls just short of being a deconstruction of tradwife values.
The film proves that it’s not quite time to tell this series to walk the plank.