The film starkly reveals the toll propaganda takes on everyday individuals and communities.
Zootopia 2 outdoes its predecessor by adding new and deeper layers to its social commentary.
A committed cast raises David Freyne’s high-concept rom-com from out of purgatory.
This year’s festival boasted 19 features, 11 shorts, a fragment of an otherwise lost film, and more.
Mendonça Filho and Moura discuss the role of cinema in making social change.
Schilinski discusses the film’s sound and her research into the reverberations of trauma.
The film’s details are warm and intimate, suggesting fondly remembered memories.
For Good is never really emotionally affecting, even on the level of nostalgia.
The film creates an ouroboros where the future and the past circle back on one another.
The filmmaker discusses his influences and inventing weird ways to kill people.
Keeper is a latter-day Perkins horror film through and through.
The actors discuss how they approached the lightly satirical elements of Joachim Trier’s film.
The film delicately teases out its characters’ intersecting ambitions and intertwined fates.
This biblical fantasy’s dreary, static solemnity invites comparison to Robert Eggers’s work.
Wright lends verve to the film’s action, but his expansion of the novel is a ruinous one.
The film’s convoluted plot is one big MacGuffin leading to the thwarting of a cartoon villain.
The film attests to hope being a resource worth preserving in dark times.
Laxe and López discuss what they took away from grappling with the imminence of death.
Lee’s adaptation of Kokuho takes a novelistic approach to scene and character.
Sachs and Rosenkrantz discuss what attracts them to the everyday lives of artists.
The action is inventive and heart-pounding, but it’s also the least surprising part of the film.