Birney discusses where he sees connective tissue between cinema and video games.
Diaz discusses what he draws from other art forms as inspiration for his cinematic artistry.
Polinger, Blunck, and Martin discuss the film’s chilling depiction of childhood bullying.
Fastvold discusses how she sees the film in relation to the history of the U.S. at large.
O’Leary discusses what he learned from working alongside Safdie and Timothée Chalamet.
The filmmakers discuss what keeps them going in their mission of holding power to account.
Park and Lee discuss the film’s mordant satire about the cutthroat nature of capitalism.
Arnett and Dern discuss why they resisted intellectualizing their characters during shooting.
Bi discusses how he translated his narrative ideas into a sensory dimension.
Safdie’s rapturously reprises a siren song that transcends any single American era.
Sorrentino discusses why it was important to reflect an ideal version of politics in his film.
Mendonça Filho and Moura discuss the role of cinema in making social change.
Schilinski discusses the film’s sound and her research into the reverberations of trauma.
The actors discuss how they approached the lightly satirical elements of Joachim Trier’s film.
The film delicately teases out its characters’ intersecting ambitions and intertwined fates.
Laxe and López discuss what they took away from grappling with the imminence of death.
Sachs and Rosenkrantz discuss what attracts them to the everyday lives of artists.
The scrappiness that animates Sweeney as an actor finds natural expression through Martin.
Jude discusses why cinema being in a state of constant crisis exhilarates him.
The film is Ramsay’s most sprawling and sensational canvas to date.