Even when it digresses, the game always finds its way back to a compelling central rhythm.
The game is about as satisfying as an action film that’s all special effects and stunt work.
The style of the game is far from the one that Remedy is known for.
Pippit’s yoyo is the core of the gameplay, and it delivers trick after tightly strung trick.
The game maintains a thrilling sense of momentum across its eight-hour campaign.
Monaco 2 isn’t just about planning a perfect heist, because where’s the fun in that?
The layers to Blue Prince’s roguelite design are what keep the game so captivating.
Shadows is a near-perfect blend of focused missions and leisurely exploration.
The disorientation that Everhood 2 seeks to bring about is more or less the point here.
As was the case in Crypt of the NecroDancer, rhythm infuses every action here.
The game crafts a dense, multilayered, and vibrant adventure set against memorable settings.
Antonblast winningly riffs on the platformers of yore.
The game is a brilliant rebuttal to those who think that politics have no place in video games.
The Plucky Squire knows how to always pick itself up and keep going.
When it isn’t tipping its hat to Yars’ Revenge, the game offers only simplistic platforming.
Sprint, slide, and parkour your way through a enemies in a game that forces you to get feral.
This is the most enjoyable (and gamified) medical evaluation you’re ever likely to receive.
Wukong excels at allowing players to feel increasingly like the Monkey King himself.
While Nobody Wants to Die is set in the far future, every inch of it relishes in the past.
With its unique design, Linkito stands apart from similar story-driven logic puzzlers.