Francis Lawrence ferociously stages King’s novella as a passion play about class solidarity.
This middling survival horror game is just barely salvaged by a disconcerting narrative.
The War of the Roses is a brutal comedy of terrors, and The Roses is cuddly by comparison.
Art of Vengeance’s magic is in what it offers players willing to get ambitious.
Jiaozi’s film is a sprawling, hyperkinetic exercise in mythological storytelling.
More often than not, the vibe is off across Honey Don’t!
The series may admirably connect the dots, but the results are patchy.
The Mafia series goes back to its roots in more ways than one.
Noah Hawley’s take on the Alien franchise is disorienting, alienating, and fascinating.
The Police Squad is back, and under new, extremely capable management.
Donkey Kong’s return to full-3D platforming is an expansive, destructive triumph.
Marvel gives its first family the expansive and heartfelt big-screen treatment it deserves.
Kojima’s magnum opus gets a bigger, weirder, and far more cohesive sequel.
This high-energy crowd pleaser suggests a remake of Terminator 2 as directed by John Waters.
Expect more than one of these games to become breakout hits in the upcoming year.
Elio’s best trait is the one that permeates every truly great first-contact story.
The film makes an impassioned plea to hopeless optimists everywhere, but good luck listening.
The film shows us a different kind of found footage depending on the situation.
At least the dragons are a huge point in this largely pointless film’s favor.
Killer of Killers only gives us just enough to get by, get invested, and get to the goods.