Sans a mythology of its own, Ballerina is just another 87Eleven joint.
For better or worse, the film represents a figurative and literal change of pace for the series.
The remake is, yes, a nostalgia play, but the source material has been given a new spark.
With Blades of Fire, MercurySteam hammers out the joy from the Souls formula.
The opening of Fight or Flight writes a check for mayhem that the rest of the film can’t cash.
Patchy as the film may be, the ennui felt by its characters is thematically fascinating.
The way the game’s various mechanical ideas fit together is exhilarating.
The season is obsessed with the after-effects of people choosing violence as a default.
South of Midnight is beautiful even at its ugliest.
Jaume Collet-Serra spins a deeper, darker yarn than the premise suggests.
The new era of WWE is now in full swing in digital form, but some things never change.
This is “content” at its most nakedly bankrupt.
Split Fiction is, against the odds, a smile-inducing charmer.
Like a Dragon takes its chaotic act to the high seas in a delightfully silly spin-off.
Anya Taylor-Joy and Miles Teller meet cute at the gates of hell in uneven action-horror yarn.
Tony Benna’s film is a consistently hilarious look at the ridiculousness of living with cancer.
Instead of trying to rewrite the book of love, Heart Eyes is more than happy to abide by it.
This is a marriage of talents that’s doomed to fail from the start.
Eggers discusses the film, its origins, and how the story was received in its birthplace.
Keke Palmer and SZA throw it back in more ways than one in this breezy comedy.