The recycled extras may leave fans of the film feeling as if they’re stuck in detention.
Barry Lyndon gets a new, suitably jaw-dropping 4K digital restoration.
At least in the hearts of its underserved audience, the film flourishes to this day.
Few American films touch the rarified air that Killer of Sheep breathes.
If it’s been hard out there for a pimp in recent decades, that wasn’t always the case.
Criterion’s release of the film is a fitting tribute to a titanic career.
Clouzot’s brutally tense thriller looks better than ever on Criterion’s release.
Can you blame us for indulging in “humanities major, sociology minor” thought exercises?
We keep coming back here to the same presupposition: that this is Demi Moore’s race to lose.
It’s hard not to see Dune: Part Two’s sandworm mayhem as being in its own lane here.
The narrative drive of Conclave’s script proves a model for concision and momentum.
Here we admit that conventional wisdom feels like a smarter bet.
Today we ask, “Will Wicked follow in Barbie’s footsteps and get near-scotched at the Oscars?”
Luck may play more of a factor here than ever seemed possible just a couple of weeks ago.
Better luck in the other music category, Emilia Pérez.
In the home stretch, Zoe Saldaña has emerged as this Oscar season’s prime sympathy vote.
Almost by default, this feels down to the most esoteric nominee of the bunch and the simplest.
It will probably come down here to the contenders that grapple with familiar foes.
Monstro Elisasue will take one more blood-spewing bow here.
Cruising had to answer for a lot of unfair expectations.