The midtempo track finds the singer squarely within his old-school wheelhouse.
Clocking in at just over half an hour, the album doesn’t leave a lot of room for error.
The album finds Kevin Parker still selling himself as a something of an underachiever.
The album is like a mirror so polished that it barely reveals anything at all.
The album is content to merely glide along the surface of its subject matter.
The album pulses with the kind of euphoria that comes from letting loose on the dance floor.
A feeling of finality ran through the packed room at the Williamsburg venue.
The trippy video for “Big Sleep” is perfect match for the brooding but atmospheric track.
From her self-titled debut to ‘The Life of a Showgirl,’ we ranked all of the singer’s studio albums.
We’ve ranked all of the singer’s albums, from her self-titled debut to Here for It All.
The album finds Swift making a purposeful shift in her persona.
The clip premiered over the weekend as part of ‘The Official Release Party of a Showgirl.’
Tiller locks into a slipstream where rapping and singing merge in a melodic, forceful flow.
The album’s mutable mood-setting makes it an apt soundtrack for our strange century.
The clip, directed by Dave Meyers, sees the rapper-singer playing a bride on the run.
The album sees the singer drawing on music’s past but stuck in her own.
The album is too lightweight (and repetitive) to make a lasting impression.
This is a thrilling, sometimes confounding album that has an energy all its own.
The album is charming both because of and in spite of its rowdy pugnacity.
On her first studio album in over a decade, the singer leans even further into easy listening.
The album veers between well-oiled honky-tonk and aggressive, battered guitar rock.