Dead Man is Jarmusch’s response to the casual imperialism of the western genre.
One of the greatest and most mercenary of American comedies gets a stellar 4K UHD upgrade.
This release features both the theatrical and black-and-white cuts of del Toro’s remake.
Think of this release as a final gift from Lynch, as it comes with his seal of approval.
The Big Heat is a feast of resonant, unsentimental terseness.
Jaws is the pop masterpiece as happy accident.
Ruthless craftsmanship is Verhoeven’s highest form of politics.
This masterpiece of world cinema has never looked or sounded better.
Del Toro himself says it best: “Cronos is an exploded view of my brain.”
The film is a wicked embodiment of the notion of the media itself being the message.
The film evinces an intensely tangible understanding of the draw of analog culture.
Arrow’s 4K restoration from the original camera negative is positively gorgeous.
Much of Quentin Tarantino’s still underrated 1997 crime film hits you on the rebound.
The film indicates a remarkably fully formed cinematic sensibility, for both better and worse.
Lynch understood that many of the fantasies he loved were built on nightmares.
Created from the original 35mm camera negatives, the 4K transfers both look phenomenal.
Addiction here springs from self-absorption, which is the common denominator of all evil.
Ninety-plus years have done little to dilute the swaggering power of Hawks’s film.
Most movies look positively robotic and undernourished next to Seven Samurai.
Controversial issues imbue the gothic hugger-mugger of these films with intimacy and intensity.