Pathologic 3’s great achievement is its reexamination of the series from a new perspective.
Season two offers another hour-by-hour chronicle of an emergency room shift from hell.
Lunar Software’s game is notable for how it builds tension on the margins.
To play the game is to feel control being wrested from you.
The game brings its mechanics to bear on mood with impressive seamlessness.
The series is about as indistinct as its title, following a friend group striving to make it.
The fragmented structure of the four-part miniseries leaves it with no coherent center.
The series finds the comedian delivering some of his most gleefully inspired nonsense to date.
As a horror game, Bye Sweet Carole is a fundamental miscalculation.
To get to the primal thrill of racing, Iwaisawa uses just about every technique at his disposal.
Criterion has assembled an impressive set of bonus features for this release.
The film plays a long game with audiences that frustrates far more than it illuminates.
Ethan Hawke brings a rascally energy to the familiar part of a run-of-the-mill divorced loser.
Across the series, characters, incidents, and backstories pile up in dizzyingly rapid succession.
Pulled awkwardly in so many directions, this Toxic Avenger all but comes apart at the seams.
With the R-rated canine comedy Fixed, Genndy Tartakovsky is off the leash.
Julian Glander’s film is driven less by plot than by the memorable atmosphere it summons.
What stumbles there are do little to loosen the game’s sturdy grasp of genre.
The real masterstroke of Kaizen is how seamlessly it eases you into its complexities.
The Alters is missing the skin-of-your-teeth hardship that defines a great survival game.