These transfers are worthy of being screened at the Cinémathèque Française.
Burnett’s unorthodox, affirming comedy receives a long-overdue video release.
In the end, F1 succeeds for many of the same reasons that Top Gun: Maverick does.
Proyas’s cult sci-fi noir receives its best home video release to date.
Schrader’s transcendent biopic of Mishima Yukio gets a definitive 4K transfer.
Richard Lester’s phenomenal action comedies look radiant on Criterion’s 4K release.
The series has morphed from a “social experiment” into TV’s most complex competition.
The film leans into the absurdism that underlies the franchise’s appetite for escalation.
Robinson’s scatterbrained satire is a showcase for Richard E. Grant’s genius.
Criterion’s disc of Robinson’s cult comedy offers the film in all its squalid beauty.
The film retains its direct appeal to the eyes, ears, and tear ducts after more than 60 years.
Suzuki’s comeback film is a key moment in the maverick director’s career.
If only the entirety of the film displayed the ferocious sense of purpose of its final act.
This is a respectful tribute to Japan’s cheap, grimy, ultimately influential V-Cinema era.
The disc includes both Imamura’s preferred director’s cut and the original theatrical version.
Sinners is one of the most distinctive, confident mainstream films of the modern era.
Berri’s gorgeous, acidic diptych of rural greed looks flawless on Criterion’s release.
The native 4K presentation makes this the best-ever home video presentation of the film.
Perhaps inevitably, Merry-Go-Round plays like a Cliff’s Notes version of a von Stroheim film.
For all of its spiritedness, the film wants for a more unique sense of invention.