Kusama’s film is a prescient and compelling consideration of gender identity and sports.
This release could easily have been marketed as an anthology of Schickele’s work.
Blue Underground gives Clark’s cult classic an impressive 4K upgrade.
These essential documentaries have been carefully restored in high definition by MoMA.
Wayne’s 1976 swan song lands on Blu-ray with a stagecoach full of extras.
The film suggests something like a western-inflected musical riff on Design for Living.
The film flits uncertainly between telegraphing seriousness and seeking refuge in camp.
Med Hondo’s film is a bravura spectacle of intellectual and cinematic daring.
Never has the green felt on poker tables suggested such a world unto itself.
The film is an triumph of effortless story execution, pinpoint humor, and acting masterclass.
Panico neither caters to newcomers to Argento’s work nor preaches to the converted.
The film is remarkable for largely leaving emotions unresolved and relationships feeling messy.
Style is an end in itself across Paul Vecchiali’s moody, labyrinthine The Strangler.
The film blends popular and academic conversations with great ease and precision.
The film understands how atrocity is perpetuated, fanning a maddening sense of injustice.
The film views its main character’s life as one of Christ-like endurance.
The title is accurate insofar as the film struggles to exert an emotional pull.
Dunye’s feature debut remains as sensual, funny, and incisive as the day it was released.
Marc Fitoussi’s film works best as a showcase for Laure Calamy’s seriocomic talents.
The film neither fully lampoons nor endorses standards for the art world’s political correctness.