Glazer’s eerie, melancholy film maudit finally makes its way to high-definition home video.
The film is a haunting and at times surreal examination of a married couple’s fears and desires.
The film remains Woo’s finest balance of ballistic genre filmmaking and underlying humanism.
Criterion rolls out the red carpet for what is arguably Buñuel’s greatest triumph.
Burden of Dreams attests to Blank’s egalitarian approach to documentation.
Hell’s Angels spares few thoughts for empty patriotism.
Malpertuis is a tantalizingly surreal and at times erotic riff on gothic tropes.
This trilogy upended action cinema nearly 40 years ago.
The recycled extras may leave fans of the film feeling as if they’re stuck in detention.
The film gives voice to the inner (and outer) conflict between conformity and individuality.
The film is a potent and relevant portrait of the manly art of self-delusion.
The film is a dark fable about souls in extremis who are half in love with easeful death.
The subtle visual pleasures of Hyams’s cult classic have never looked better.
The film is a mordantly funny and disturbing tale of deception, obsession, and desperation.
Kino rolls out a well-deserved red carpet for Leni’s expressionist 1927 silent classic.
The film rigorously interrogates the personal and social consequences of its violent action.
The extras leave no doubts about the franchise being a true labor of love for Tom Cruise.
The film taps into many of the overarching concerns within Russell’s body of work.
Severin returns the series to Italy with a uniformly entertaining quartet of titles.
This release features both the theatrical and black-and-white cuts of del Toro’s remake.
Radiance blesses us with another wonderful trio of underseen Japanese horror gems.