Pathologic 3’s great achievement is its reexamination of the series from a new perspective.
The game lavishes idiosyncratic detail on its ground-level view of the world.
Despite the artificiality that creeps into the game, its intimate moments remain resonant.
This is a competent shooter with occasional highs and frustrating lows.
With Blades of Fire, MercurySteam hammers out the joy from the Souls formula.
The game offers ample opportunity for delightful trial-and-error experimentation.
The game is a sumptuous but brief shot of bedtime-story vibes.
The game’s world is silly and impressively congruent, but its stages want for more variety.
The new trailer puts vigilante lovebirds Jason and Lucia in the spotlight.
Despelote is transportive in its vision of a messy childhood.
The game maintains a thrilling sense of momentum across its eight-hour campaign.
The way the game’s various mechanical ideas fit together is exhilarating.
Mandragora conjures a deftly oppressive atmosphere throughout its campaign.
It’s disappointing how “Tape 2” casts the construction of the first installment in a different light.
Commandos: Origins hasn’t been polished to a mirror shine.
Monaco 2 isn’t just about planning a perfect heist, because where’s the fun in that?
Sarnoski is a good choice to address what many see as the game’s monotonal pitch.
The layers to Blue Prince’s roguelite design are what keep the game so captivating.
There’s scant complexity to the practice of running the central mascot agency.
The game invites you to explore its world at your own speed, and on your own terms.
South of Midnight is beautiful even at its ugliest.