Birney discusses where he sees connective tissue between cinema and video games.
Mendonça Filho and Moura discuss the role of cinema in making social change.
Schilinski discusses the film’s sound and her research into the reverberations of trauma.
The filmmaker discusses his influences and inventing weird ways to kill people.
The actors discuss how they approached the lightly satirical elements of Joachim Trier’s film.
Laxe and López discuss what they took away from grappling with the imminence of death.
Sachs and Rosenkrantz discuss what attracts them to the everyday lives of artists.
Jude discusses why cinema being in a state of constant crisis exhilarates him.
These films shocked us by plumbing our deepest primordial terrors.
O’Connor discusses how he came to understand America by immersing himself in an era.
Reichardt discusses the political climate of an era, collaborating with Josh O’Connor, and more.
Panahi discusses the meaning of “accident” and how nothing can stop him from making movies.
Check out our ranking of all the Palme d’Or winners since 2001.
Byrne discusses where she sees similarities between performing comedy and horror.
Bronstein discusses her approach to telling stories drawn from her own pain and anxiety.
From her self-titled debut to ‘The Life of a Showgirl,’ we ranked all of the singer’s studio albums.
PTA is a portraitist who specializes in characters with longings that they can barely understand.
Johansson and Squibb discuss the process of endowing Eleanor with a sense of humanity.
This year’s slate provides a lucid window on a world in a state of turmoil and reinvention.
Osit discusses To Catch a Predator, Chris Hansen’s thoughts on the documentary, and more.
The actors discuss the film’s richly fragmentary style, its frank sex scenes, and more.