Birney discusses where he sees connective tissue between cinema and video games.
Byrne discusses where she sees similarities between performing comedy and horror.
Bronstein discusses her approach to telling stories drawn from her own pain and anxiety.
Johansson and Squibb discuss the process of endowing Eleanor with a sense of humanity.
Osit discusses To Catch a Predator, Chris Hansen’s thoughts on the documentary, and more.
The actors discuss the film’s richly fragmentary style, its frank sex scenes, and more.
Hartley discusses Where to Land’s origins, fundraising, and drawing from his own life.
The duo provide fascinating insight into how they understand the relationship between twins.
Covino and Marvin discuss balancing visual and verbal humor, shooting on film, and more.
Howard discusses his approach to the story and the need that his characters seek to fulfill.
Russell discusses how he updated The King of Comedy for today’s world of fans and stans.
Shanks discusses Together’s bodily contortions and what the ending means to him.
Zürcher discusses his production approach and how houses can aid and abet voyeurism.
Burnett discusses why it remains so important to show Black life as it is.
Aster discusses what his pandemic-era dark comedy has to say to audiences in 2025.
McGovern discusses revealing the vulnerability behind Gardner’s glamorous public facade.
Serra discusses how being close to a torero taught him to take risks in his work.
The writer-director-actor discusses how the film is in conversation with other depictions of sexual assault.
Friedland and Chalfant discuss aesthetics adding empathy to the recreation of dementia.
Jarvis discusses the at once tender and menacing shape he gave to his role in the film.
Anderson and Cera discuss why they reject the film being classified as “deadpan.”